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With House Of Glass comes the final chapter of Pramoedya's epic quartet, set in the Dutch East Indies at the turn of the century. A novel of heroism, passion, and betrayal, it provides a spectacular conclusion to a series hailed as one of the great works of modern literature. At the start of House of Glass, Minke, writer and leader of the dissident movement, is now imprisoned—and the narrative has switched to Pangemanann, a former policeman, who has the task of spying and reporting on those who continue the struggle for independence. But the hunter is becoming the hunted. Pangemanann is a victim of his own conscience and has come to admire his adversaries. He must decide whether the law is to safeguard the rights of the people or to control the people. He fears the loss of his position, his family, and his self-respect. At last Pangemanann sees that his true opponents are not Minke and his followers, but rather the dynamism and energy of a society awakened.
- Sales Rank: #150732 in Books
- Published on: 1997-07-01
- Released on: 1997-07-01
- Original language: Indonesian
- Number of items: 4
- Dimensions: 7.70" h x .80" w x 5.10" l,
- Binding: Paperback
- 384 pages
Amazon.com Review
In 1965, Pramoedya Ananta Toer was arrested by the Indonesian government. Although he was denied writing materials during his 14-year detention, he continued to "write" fiction, composing stories orally, which his fellow prisoners memorized. House of Glass is the final installment of the four-part epic he composed. The tale, which began with This Earth of Mankind and continued through Child of All Nations and Footsteps, encompasses the beginnings of the collapse of colonialism nearly 100 years ago. In 1995, Pramoedya Ananta Toer was cited by the Philippine government for his contribution to "the historical awakening and modern experience of the Indonesian people."
From Publishers Weekly
Police commissioner Tuan Pangemanann, narrator of this concluding volume to Pramoedya's extraordinary tetralogy set in colonial Indonesia, is a Sorbonne-educated reactionary, a consummate hypocrite, a cultivated monster, a sadist with pangs of conscience. Recognizing the rottenness of the colonial administration, he greatly admires Minke, crusading newspaper editor and nationalist fighter against Dutch imperialism, considering him a man of principle. Yet, as an obedient tool of the Netherlands Indies' ruling elite in the period from 1912 through the end of WWI, Pangemanann feels duty-bound to crush Minke and the native movement he represents, whether by arrest, torture or counterinsurgency terrorism. The first three volumes of Pramoedya's quartet (This Earth of Mankind; Child of All Nations; Footsteps)?written during the author's 14-year banishment, 1965-1979, to the prison island of Buru?were narrated by Minke, a progressive witness of world events. Here, by filtering the anti-colonialist struggle through Pangemanann's ambivalent, warped perspective, Pramoedya spikes his epic saga with slyly modernist irony, creating a work that is as subversive today as when it was written. (May) FYI: Pramoedya is currently under city arrest in Jakarta: all his books remain banned in Indonesia. Penguin will reissue the first three volumes of the Buru quartet in paperback to coincide with the publication of House of Glass.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Police Commissioner Pangemanann embodies all the conflicts of an East Indies native working for the Dutch colonial government at the dawn of the 20th century. Though drawn to support his people's emerging nationalism, he is duty-bound by his European superiors to thwart it by any means, either legal or illegal. Thus, he becomes an expert in the growing nationalist movement spawned by charismatic writer Minke, and, while filled with admiration for his target, he plots to destroy Minke and his followers through a campaign of arrests, exile, and violence. Success wins promotion and greater power, but the price is great as well, for hypocrisy and corruption eat at Pangemanann's soul, destroying his marriage, his career, and, ultimately, his sanity. This final novel in Toer's "Buru" tetralogy completes his examination of the conflict between colonialism and nationalism begun in This Earth of Mankind (LJ 9/1/91). However, with Minke in exile and Pangemanann as its narrator, House of Glass founders in cultural polemics and misses the vivid description and characterizations that marked the earlier works. Recommended for larger and special collections.
Paul E. Hutchison, Bellefonte, Pa.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Fascinating insight into Indonesian mind and history
By Tim_Douglas@bigpond.com.au
The great strength of this book is its thoughtful exploration of the often contradictory lures of Westernisation and nationhood for the early 20th-century Dutch East Indies. But for me, the real eye-opener was the insight it provided into the Javanese mind and its thought processes. It was illuminating to read the narrator's reactions to certain situations and statements -- I often found myself being surprised by the conclusions the narrator drew from the events around him, but eventually came to realise that the gap between his reactions and mine is exactly the gap between western and Indonesian culture with which the narrator is wrestling. The result is a book that makes the western reader more aware and appreciative of the differences between Indonesian and western culture and thinking, as well as the strengths and weaknesses of each. And on the political side, the parallels between the Dutch colonial authority and the modern Indonesian government are striking. A must read for anyone spending time in Indonesia.
Side note: I was a little distracted by the phrasing, which was often choppy or even clumsy at times. Translation troubles?
3 of 3 people found the following review helpful.
A colonial middleman's dilemna
By A Customer
This book tells the story of Jacques, a native Indonesian policeman, and his conflict in carrying out the law of his European bosses to provide for his family. He seeks the rank and monetary priviledges of climbing up the administrative ladder, even though no native has been fully accepted in higher circles. But this same Western law demands that he attempt to destroy a well-known and loved native nationalist, Minke, whom Jacques greatly admires. As the story progresses and Jacques is given greater rank and responsibility in suppressing nationalist sentiment, the policeman feels his self-respect, integrity, and health slipping away. Every day is a constant battle to reconcile his own needs with those of his own people. His emotional and physical struggles are depicted in beautiful, flowing prose and dialogue. If ever a book could describe the colonial experience from the perspective of the native elite working within the European framework, this would be it
3 of 3 people found the following review helpful.
I thought it was great!
By A Customer
The character development and subtleties of the story as it progressed really got my attention. This book inspired me to read the other three books of the quartet, though I would recommend reading them in order. References to some of the minor characters of this book (which were major ones of earlier books) were confusing without the context of the first three, but echo larger with that context. The shift in perspective, revolving around events common to the third book but covering different ground, was done extremely well.
The author captures the erratic, rising wave of nationalism seeping out of an awakening people, and immerses the reader in the context of the age, without shying away from a lurking sense of tragedy.
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