Rabu, 12 Maret 2014

[Q188.Ebook] Get Free Ebook The Picture of Dorian Gray (Annotated), by Oscar Wilde

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The Picture of Dorian Gray (Annotated), by Oscar Wilde

The Picture of Dorian Gray (Annotated), by Oscar Wilde



The Picture of Dorian Gray (Annotated), by Oscar Wilde

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The Picture of Dorian Gray (Annotated), by Oscar Wilde

The Picture of Dorian Gray is a work of Gothic fiction and is the only novel published by Oscar Wilde. The novel was controversial for his time period, however it became one of his most well known pieces of literature.

This book has the following features:
-Formatted specifically for your Kindle
-Includes an active table of contents, which enables easy reading and navigation
-Contains added annotations with information about the author and the novel.

  • Sales Rank: #768037 in eBooks
  • Published on: 2014-05-27
  • Released on: 2014-05-27
  • Format: Kindle eBook

Amazon.com Review
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

From Publishers Weekly
Starred Review. First published in 1890 in Lippincott's Monthly Magazine and the following year in novel form, The Picture of Dorian Gray categorically changed Victorian Britain and the landscape of literature. An ostentatious, self-confessed aesthete, known for his wit and intellect, Wilde not only had to endure his prose being labeled "poisonous" and "vulgar," but also suffer its use as evidence in the ensuing trial, resulting in his eventual imprisonment for crimes of "gross indecency." Frankel's introduction provides a deft preliminary analysis of the novel itself—exploring etymology and extensive editorial alterations (both accidental and deliberate)—and offers valuable insight into the socio-cultural juxtaposition of aristocratic Victorian society and the London underworld. The original typescript provides the unique opportunity to examine what was considered acceptable in both the US and UK at the time. Intriguing annotations allude to Wilde's influences and enterprising range of reference, incorporating art, poetry, literature, Greek mythology, philosophy, and fashion (certain to inspire further reading; an appendix is provided). Comparisons are drawn between Dorian Gray and Wilde's other literary output, as well as to the work of Walter Pater. Numerous illustrations subtly compliment Frankel�s inferences. A fine contextualization of a major work of fiction profoundly interpreted, ultimately riveting. (Mar.)

From School Library Journal
Grade 10 Up-"The Whole Story" format provides illustrations and annotations to the classic text. Ross's lively and sophisticated cartoons add interest, and historical information helps readers place the novel in proper context and gives insight into its characters. The problem with this attractive, glossy layout, however, is that the text and the quotes pulled from it are not always on the same page. Further, some illustrations and notations visually cut into the narrative and may distract readers. For example, a drawing appears on the first page along with the passage, "In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty," but that quote does not appear until the second page of the story. Useful as a supplement to the original novel, but not a replacement for it.
Karen Hoth, Marathon Middle/High School, FL
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

24 of 24 people found the following review helpful.
Be careful of your wishes.
By Marilyn
A dark story, narrated excellantly with changing voices for ths different characters. A painter friend convinces the extremely handsome, Dorian, to pose for him. The painting turns out so well Dorian wants to keep it. He makes a wish that he would always be so handsome and only the painting show his aging and scars of life. His wish is granted and you should follow the outcome of his life.

4 of 4 people found the following review helpful.
Not for people with short attention spans
By Burgo49
Unfortunately, I was disappointed with this book. I wanted to read this book so I can say I read at least one 'classic' as an adult. While I can at least say that, I found myself bored and my attention span drifting with the extended prose.

Although the book is less than 300 pages, it took me a while to complete it, perhaps due to some archaic vocabulary and extensive prose (which can bore me). That said, the novel was edited well, leaving out unnecessary details in a way that the reader could imagine what happened in the character's life without it being actually being written.

Wilde's writing is truly exquisite, and it's a shame he only wrote the one novel. While reading, I could fully envision the society and the people living in it (to the point of having strong feelings about some!).

Trust me, I really wanted to LOVE this book. And while I can appreciate this novel as a classic, I only liked it. The story was certainly quite creative and risque (for the time), which I enjoyed. I just wish it were a bit more amped-up.

In summary, if you want to read something more fast-paced, I wouldn't recommend this book. If you are a more "refined" reader, I think you have a better chance of truly enjoying it. Also, if you never had to read this in school, it�€™s worth reading it now.

1 of 1 people found the following review helpful.
A classic I am glad to have read
By Ren�e Reads
I'm not sure what my expectations were having never read but only watched various versions of Dorian Gray in shows, none of which were accurately faithful to the book. I could see how this would have been considered too risque for audiences at the time it was first published, which makes it an interesting note on how much society has changed. The book was slow moving for about the first 40% of the book and did not even move Dorian's story along. It was almost entirely about Lord Henry Wotton and a bit about Dorian, then when it did change perspectives to Dorian it still took a bit to get to the picture's importance. A good portion of the second half of the book was a litany of the "things" that Dorian would obsess over. To be honest I would skim over these and it was fine because all the detail was not necessary. Not a bad book but not a great read either. Simply a provocative book for an era long gone.

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